Advertising is nothing without concepts. I found this list of the top 10 advertising campaigns of all time. Different as they are, they have one thing in common: they all started with one great idea.
image via
I was busy being a twinkle in my father's eye for most of these, so I would update this list with the legendary Got Milk? campaign by the California Milk Processors Board.
Also, who could forget when Apple personified a Mac and a PC? Priceless!
What is your favorite campaign?
Friday, September 28, 2012
Wednesday, September 26, 2012
I wonder what font that is?
Wonder no more. WhatTheFont! is an easy, comprehensive, and free(!) tool to help you answer that looming "What font is that?" question. Upload an image (screen shot, picture, etc.) of the font in question, supply a little clarifying information, cross your fingers, and see if you get lucky. It's not 100% accurate and the quality of your image certainly makes a difference, but with the challenge of, say, creating a department page for an already established publication, it might just make your life a little easier.
And for your innergeek, WhatTheFont! also comes in a nifty iPhone app!
And for your innergeek, WhatTheFont! also comes in a nifty iPhone app!
Monday, September 24, 2012
What's the big idea?
"Big ideas come from the unconscious. This is true in art, in
science, and in advertising."
David Ogilvy said that. The original Mad Man, he's considered "The Father of Advertising" and the creator of "The Big Idea," or a "concept," as we called it in class.
According to David, you can recognize a big idea if you ask yourself these five questions:
1. Did it make me gasp when I first saw it?
2. Do I wish I had thought of it myself?
3. Is it unique?
4. Does it fit the strategy to perfection?
5. Could it be used for 30 years?
My current favorite campaign is for Oscar Mayer Selects, which is about saying yes instead of saying no. The spots showcase a husband and wife, saying no to everyday, but funny, occurrences. At the end, they say "YES!" to Oscar Mayer Selects because it's good for you.
If a picture is worth a thousand words, a video must be worth a million, so I'm posting several examples of this excellent concept here! I certainly wish I had thought of it myself!
David Ogilvy said that. The original Mad Man, he's considered "The Father of Advertising" and the creator of "The Big Idea," or a "concept," as we called it in class.
According to David, you can recognize a big idea if you ask yourself these five questions:
1. Did it make me gasp when I first saw it?
2. Do I wish I had thought of it myself?
3. Is it unique?
4. Does it fit the strategy to perfection?
5. Could it be used for 30 years?
My current favorite campaign is for Oscar Mayer Selects, which is about saying yes instead of saying no. The spots showcase a husband and wife, saying no to everyday, but funny, occurrences. At the end, they say "YES!" to Oscar Mayer Selects because it's good for you.
If a picture is worth a thousand words, a video must be worth a million, so I'm posting several examples of this excellent concept here! I certainly wish I had thought of it myself!
Friday, September 21, 2012
The Real Simple Way to Blow Dry Your Hair
A lot of what I know about life comes from Real Simple magazine. Their editors have a way of dolling out advice that makes me lap it up like a hungry kitten. The only problem is, sometimes their ideas are...too simple?
2010's March edition invited me to try 3 easy steps to a perfect home blow-dry. The claim: I would cut my time in half. I'll do ANYTHING to reduce the amount of time I'm under that oppressive heat so I read on.
Step 1:
See the entire visual and verbal definition here.
2010's March edition invited me to try 3 easy steps to a perfect home blow-dry. The claim: I would cut my time in half. I'll do ANYTHING to reduce the amount of time I'm under that oppressive heat so I read on.
Step 1:
- After toweling off wet hair, set your dryer on medium heat and high air speed. Blow hair until it’s 80 percent dry.
- Gather the hair on top of your crown and secure it with a clip. Begin drying the lower layers with a brush, using more heat. Point the dryer’s nozzle downward to help smooth hair and create shine. Look at her. Her hair is already very smooth and she's completely in control. She's poised and stately. And that bicep. Drawings never looked so good.
- Blow-dry the top section. Aim at the roots to add volume, then work toward the ends, using the brush to pull hair forward and out. She has the whole top of her hair flipped forward and, not only is she still in control, she's meditating to the sound of her dryer.
- Remove the clip. Flip all hair back. Part and dry hair around the forehead.
- To curl ends, roll them under with a round brush, blast with heat, and set with cold air. For a straight finish, pull the brush through while drying ends with warm air; set with cold air. Apply styling cream to tamp down flyaways, or mist with hair spray. Not a drop of sweat on her forehead. NOT ONE. She has almost half of her hair casually wrapped around the round brush.
See the entire visual and verbal definition here.
Wednesday, September 19, 2012
On the Grid
During class last week, I got asked about the mysterious "grid" our professor keeps referring to. Not that I'm anyone to be answering questions about anything (unless you want to know about eyebrows, in which case, I consider myself an expert), but I thought I'd pass along a little information.
It's my understanding that there's no wrong or right way to make a grid. There are many, many, many grid options. So when graphic designers talk about "the grid," they aren't referring to one, specific layout...at least I don't think. They are referring to "a two-dimensional structure made up of a series of intersecting vertical and horizontal axes used to structure content. The grid serves as an armature on which a designer can organize text and images in a rational, easy to absorb manner," according to Wikipedia.
image via
This zine is an excellent introduction to the grid. This article is also a great overview. And this book is the the grid bible, as far as I'm concerned...which isn't very far.
In a nutshell, you first decide what grid you want to use for your design. The most common are columns and baseline, but modern design uses the golden ratio and the rule of thirds. Use scratch paper and a ruler to map out your page before going into InDesign, if you need to.
In InDesign, click inside the ruler and drag out guides to set up your own grid and section off your page in orderly "chunks." Don't forget to include gutters, or "breathing room." You can also turn on a "grid" in InDesign and use it as a guide, if you wish.
There are a great many people who understand the usage of the grid far better than I, but hopefully this gives you a start place. Feel free to chime in, and remember,
image via
It's my understanding that there's no wrong or right way to make a grid. There are many, many, many grid options. So when graphic designers talk about "the grid," they aren't referring to one, specific layout...at least I don't think. They are referring to "a two-dimensional structure made up of a series of intersecting vertical and horizontal axes used to structure content. The grid serves as an armature on which a designer can organize text and images in a rational, easy to absorb manner," according to Wikipedia.
image via
This zine is an excellent introduction to the grid. This article is also a great overview. And this book is the the grid bible, as far as I'm concerned...which isn't very far.
In a nutshell, you first decide what grid you want to use for your design. The most common are columns and baseline, but modern design uses the golden ratio and the rule of thirds. Use scratch paper and a ruler to map out your page before going into InDesign, if you need to.
In InDesign, click inside the ruler and drag out guides to set up your own grid and section off your page in orderly "chunks." Don't forget to include gutters, or "breathing room." You can also turn on a "grid" in InDesign and use it as a guide, if you wish.
There are a great many people who understand the usage of the grid far better than I, but hopefully this gives you a start place. Feel free to chime in, and remember,
image via
Saturday, September 15, 2012
Yelp
I looked at a bucket load of infographics to find the perfect one to share here. It was a hard job, but someone had to do it. Instead of finding the perfect inforgraphic to share here, I found this terribly funny description of Yelp users.
image via
Related, but only by association, the video series "Real Actors Read Yelp" on YouTube is enough to bring all productivity to a screeching halt. But you didn't hear that from me.
image via
Related, but only by association, the video series "Real Actors Read Yelp" on YouTube is enough to bring all productivity to a screeching halt. But you didn't hear that from me.
Friday, September 14, 2012
(Un)appetizing
I spent one whole minute considering jumping on the gluten free bandwagon some eight months ago. A Google search took me to Eating Well Magazine, a publication familiar to me during my stint as a graphic designer for a health and nutrition PR firm.
This magazine has always been hit or miss for me, mostly miss. While I love their mission statement of providing inspiration and information about healthy eating, their execution is often flawed.
I have nothing but praise for the gluten free diet plan Eating Well created; perfect for dieting novices like me who just want our stomachs fed with our brains left out of it. But the images used for some of the recipes are downright foul.
Let me give you a tasty sampler.
This is Steak & Boursin-Wrapped Bells. Putting aside that I have kitchen aversion and don't even know what "boursin" is, these look like something my niece would make for the third-grade Thanksgiving reenactment. Where was the food stylist on this one?
image via
I can see my reflection in the shiny meat and carrots of this Bistro Beef Tenderloin.
image via
Here we have Singapore Chile Crab with Spinach. I got food poisoning just from looking at this picture. Also, how about that lighting, eh?
image via
Sweet Potato-Turkey Hash with...what is that? Jam? Jelly? I have a policy of avoiding foods with the word "hash" in the title.
image via
When I has eight, I went to a haunted house where my neighbor was laid up on the kitchen table, pretending to be Frankenstein. We had to touch all of Frankenstein's body parts: his hair was spaghetti, his eyes were grapes, and I think this Chicken with Green Olives & Prunes was used for his guts.
image via
These Sliced Tomatoes with Pesto Drizzle were taken with an iPhone camera and nobody will convince me otherwise.
image via
So...who's ready for lunch?!?!
This magazine has always been hit or miss for me, mostly miss. While I love their mission statement of providing inspiration and information about healthy eating, their execution is often flawed.
I have nothing but praise for the gluten free diet plan Eating Well created; perfect for dieting novices like me who just want our stomachs fed with our brains left out of it. But the images used for some of the recipes are downright foul.
Let me give you a tasty sampler.
This is Steak & Boursin-Wrapped Bells. Putting aside that I have kitchen aversion and don't even know what "boursin" is, these look like something my niece would make for the third-grade Thanksgiving reenactment. Where was the food stylist on this one?
image via
I can see my reflection in the shiny meat and carrots of this Bistro Beef Tenderloin.
image via
Here we have Singapore Chile Crab with Spinach. I got food poisoning just from looking at this picture. Also, how about that lighting, eh?
image via
Sweet Potato-Turkey Hash with...what is that? Jam? Jelly? I have a policy of avoiding foods with the word "hash" in the title.
image via
When I has eight, I went to a haunted house where my neighbor was laid up on the kitchen table, pretending to be Frankenstein. We had to touch all of Frankenstein's body parts: his hair was spaghetti, his eyes were grapes, and I think this Chicken with Green Olives & Prunes was used for his guts.
image via
These Sliced Tomatoes with Pesto Drizzle were taken with an iPhone camera and nobody will convince me otherwise.
image via
So...who's ready for lunch?!?!
Wednesday, September 12, 2012
Bon Appetit!
I'm not a good cook. In fact, I'm not even a cook. Should you think I jest, know that I have ruined boiled water before.
My husband is our residential chef, by default. You see, when we got married some six years ago, I had baseless illusions of culinary grandeur. My mother can find a dinner fit for kings in a bare pantry. My grandmother is the old, scrawny, Southern version of Martha Stewart. I never had nor wanted kitchen talents, but with a pedigree like mine, you'll cut me some slack for my ill-conceived ideal that marriage would magically domesticate me.
I tried, but the only dinner I was able to create without causing bodily injury was macaroni and cheese with a side of broccoli.
On day seven of macaroni and cheese with a side of broccoli, my newly minted husband innocently compared my cooking to his mother's. This led to me nastily comparing his income to my father's. Long story short, we abandoned our traditional notions and Adam is now my own personal Chef Boyardee.
He subscribes to Bon Appetit magazine and, though I mispronounce most of the ingredients therein, this magazine makes me wish I cooked. Much like the famous Julia Child, the editors believe in mixing simple, but fresh, ingredients to make complex flavor.
The August edition featured summer's most prized vegetable: tomatoes.
Above is the introductory page to the article.
The photography in Bon Appetit is always top-notch, but the rich colors of the tomatoes shot on a simple white background made the piece stand out. I can practically taste the sharpness of the fresh ground pepper and the slight sweetness of the basil. No other page elements, not even the bold header, command attention away from the image.
While I'm not always a fan of the magazine's typographic choices, I love the typeface used in the header. I think it is a member of the Bodini family; the perfect blend of structured and familiar. I like the friendly yellow and bossy green in the accent colors as well.
The writing is also well-crafted. I find it simple and straightforward. My favorite line is the description of the tomatoes "bursting with juice beneath their thin, tender skins." The writer used casual and somewhat informal language and it worked for the audience. I certainly ran to the farmer's market the next Saturday morning...and I don't even cook!
What I liked most about this piece was the underlying encouragement that anyone, even kitchenphobes like me, can make delicious dishes with simple and seasonal ingredients.
Up next: bad food photography. In the meantime, bon appetit! (I couldn't help myself)
My husband is our residential chef, by default. You see, when we got married some six years ago, I had baseless illusions of culinary grandeur. My mother can find a dinner fit for kings in a bare pantry. My grandmother is the old, scrawny, Southern version of Martha Stewart. I never had nor wanted kitchen talents, but with a pedigree like mine, you'll cut me some slack for my ill-conceived ideal that marriage would magically domesticate me.
I tried, but the only dinner I was able to create without causing bodily injury was macaroni and cheese with a side of broccoli.
On day seven of macaroni and cheese with a side of broccoli, my newly minted husband innocently compared my cooking to his mother's. This led to me nastily comparing his income to my father's. Long story short, we abandoned our traditional notions and Adam is now my own personal Chef Boyardee.
He subscribes to Bon Appetit magazine and, though I mispronounce most of the ingredients therein, this magazine makes me wish I cooked. Much like the famous Julia Child, the editors believe in mixing simple, but fresh, ingredients to make complex flavor.
The August edition featured summer's most prized vegetable: tomatoes.
Above is the introductory page to the article.
The photography in Bon Appetit is always top-notch, but the rich colors of the tomatoes shot on a simple white background made the piece stand out. I can practically taste the sharpness of the fresh ground pepper and the slight sweetness of the basil. No other page elements, not even the bold header, command attention away from the image.
While I'm not always a fan of the magazine's typographic choices, I love the typeface used in the header. I think it is a member of the Bodini family; the perfect blend of structured and familiar. I like the friendly yellow and bossy green in the accent colors as well.
The writing is also well-crafted. I find it simple and straightforward. My favorite line is the description of the tomatoes "bursting with juice beneath their thin, tender skins." The writer used casual and somewhat informal language and it worked for the audience. I certainly ran to the farmer's market the next Saturday morning...and I don't even cook!
What I liked most about this piece was the underlying encouragement that anyone, even kitchenphobes like me, can make delicious dishes with simple and seasonal ingredients.
Up next: bad food photography. In the meantime, bon appetit! (I couldn't help myself)
Sunday, September 9, 2012
In the beginning
Hello, blogging world! I'm Emily. Designer, photographer, amateur writer, and wannabe tap dancer. I'm a graduate student studying publications design and as such, have given birth to my very own design blog! (It's a girl.)
This corner of internet real estate is tasked with showcasing my projects and assignments for the Words & Images course I'm taking this semester. And after that? Who knows? Maybe the two of us will become the next Fred and Ginger.
Follow along, won't you?
image via Harmonie Interieure
This corner of internet real estate is tasked with showcasing my projects and assignments for the Words & Images course I'm taking this semester. And after that? Who knows? Maybe the two of us will become the next Fred and Ginger.
Follow along, won't you?
image via Harmonie Interieure
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